font_category: blackletter
Friedrich Poppl’s blackletter font, carefully redrawn and redesigned for modern use, named after the Parler master builder family who built the Schwaebisch Gmuend cathedral. This font contains the letter ‚long s‘ which can be...
Wieynck Gotisch, a 1920s font family created by Heinrich Wieynck, was completely redrawn and redesigned for modern usage. Use this remarkable and eye-catching fonts in an appropriate context. This font contains a bunch of...
Inspired by some handwritten letter forms originally made by Hermann Zapf for his 1949 book “Pen and Graver”, the drawings and designs finally became an entire font. It is an ideal companion to create...
In 1938 the Frankfurt-based foundry Ludwig & Mayer released Eugen Weiss’ beautiful fraktur ‚Hoelderlin‘. Carefully redrawn and redesigned, this digitized version is intended to add another gem to the enthusiasts’ treasure drove of blackletter...
Max Salzmann’s blackletter font released by Schelter & Giesecke in 1912 revived and spiced up with some beautiful filling and framing ornaments.
In 1885 Heinrich Wallau, printer and typographer in Mainz, picked up the idea of creating a rounded gothic font written with a broad nib. This idea was then realized by Rudolf Koch between 1925...
The former hot-metal font Sebaldus Gotisch, a 19th century Berthold in-house design, was carefully redesigned and updated for today’s use. This font contains a long s which you can access by typing alt b...
Fette Kanzlei is a beautiful mid-19th century blackletter font with a touch of calligraphy which has been brought back into life again. The long s can be reached by typing alt plus b or...
Heinrich Wieynck’s blackletter font, carefully redrawn and redesigned for modern use. Due to its proportions, this blackletter font can also be used for body texts. This font contains the letter ‚long s‘ which can...
Friedrich Bauer’s Senatsfraktur, coming in two styles, regular and bold, released by Genzsch and Heyse, Hamburg, in 1912, has come to life again.Both styles contain the traditional long s which can be accessed by...