Font Con Fonts
Johann Michael Fleischmann was born June 15th, 1707 in Wöhrd near Nuremberg. After attending Latinschool he started an apprenticeship as punchcutter in the crafts enterprise of Konstantin Hartwig in Nuremberg, which ought to last...
Sinkwitz Gotisch is a new release of the font of the same name originally designed by Paul Sinkwitz in 1942. The Sinkwitz Gotisch was 1942 by Schriftguss AG Dresden font cast first cast and...
This font was designed as an experiment in simplfying the Blackletter. We never showed it in the Solotype catalog, so it didn’t get much use.
This bold blackletter is rather wide, which enhances its readability. In Victorian job printing it was not unusual to find one line of blackletter in a card or handbill, just for contrast. This one...
Issued from the Haddon Foundry in England. Most of their original faces had names beginning with H, like their own name. Some of their types were designed by Phil May, but we cannot guarantee...
Barnhart Bros. and Spindler called this Faust Text when they introduced it in 1898. A quarter of a century later, they brought back a number of obsolete faces and renamed them. This one became...
This circa 1910 European face was introduced into the United States by a German type foundry traveling salesman during the great depression of the 1930s. We have used it quite successfuly in sizes as...
A special effect type from the French foundry of Beaudoire & Cie. We changed a couple of characters to improve the overall harmony of the alphabet.
Stefania is an elegant chancery script, designed with wedding invitations specifically in mind. A contemporary take on chancery scripts, Stefania retains a traditional calligraphic feel. Its features include a more pronounced slant for an...
Mahalia draws inspiration from vintage hand-lettering, but adds a modern, European twist. Strongly slanted at a 25 degree angle, Mahalia draws immediate interest, but is still graceful. Mahalia includes many useful OpenType features, including...