As recently as forty years ago, computers consisted of racks of vacuum tubes, each rack about the size of a refrigerator, with enough racks to fill a good-sized family room required to do routine...
A 1990s-vintage Radiohead poster by Jermaine Rogers provided the go-by for this tight, trippy techno face. Jermaine’s design, it turns out, was an adaptation of a Ray Larabie font, Dignity of Labour. This version...
The concept for Cell Block 6 is based on the rigid structure and design of modern architecture. It is a structural display font created by Enrich Design. Four of six versions of Cell Block...
This font package is designed to create PC-type screens, using all the characters in the IBM extended character set (except for three grey blocks), and is monospaced (all characters have the same width). Specially...
Two monospaced fonts including the IBM extended character set, drawn to look like screen display bitmaps, but in a high-resolution format. For computer manuals.
Set of five fonts (Digit, bold, italic, and bold italic, plus Clocks), generates digital LED style characters, and digital clock and calendar faces. Plus 24 analog clock faces.
Adrian Frutiger’s distinguished and successful 1966 design for the European Computer Manufacturers’ Association improving readability of letters for both machines and humans. OCR-B is replacing OCR-A.
MVB Fantabular proves that monospaced faces needn’t be formal or bland. Inspired by the letterforms of older typewriters, Akemi Aoki designed a playful family of three weights with italics. With every character the same...
Mark van Bronkhorst’s MVB Magnesium is based on his impressions of a style of lettering often seen on early 20th century hand-painted signage. With its thick-thin strokes and angled terminals, MVB Magnesium is a...