font_category: decorative
Duck! There’s a cream pie headed your way! This wild and wacky face is based on the title card lettering for the original Soupy Sales TV show, a lasting testament to my misspent youth....
This exuberant face was suggested by a piece of French sheet music from the 1930s for the song Sur un Air de Shimmy, The name comes from an Australian song from the 1950s about...
The letterforms for this unusual display face were inspired by a 1930s ad for Tanguy Crepes, by an uncredited artist. Due to the ornate nature for this font, it has a limited character set,...
A new take on the perennial Art Deco favorite, Broadway, interpreted by 1930s lettering artist Harold Holland Day, and named after a 1960s R&B song.
A 1905 poster for the Austrian National Highway by artist Gustav Jahn inspired the letterforms for this typeface. In the spirit of comity, Barnhart Brothers & Spindler’s Publicity Gothic Initial Caps inspired the uppercase...
Will Ransom designed the exemplar for this series for Barnhart Brothers & Spindler in the early 1900s. The typeface was originally named “Parsons”, after the advertising director of a Chicago department store (evidently a...
Of the many lettering gurus who published chapbooks on handlettering during its heyday, one of the most prolific was H. C. Martin. This quirky poster face was offered in one of his many Idea...
This loopy offering is patterned after a typeface from the 1888 specimen book from the Central Type Foundry of St. Louis, called simply “Spiral”. The ragged contours on the original face have been smoothed...
This unusual take on a typical woodtype typeface is based on a 1950s Stenso lettering template and, appropriately, takes its name from a small town in Texas not far from Dallas, locally noted for...
Will Ransom designed the uppercase letters in this typeface for Barnhart Brothers & Spindler in the 1920s, under the name Clearcut Shaded Caps. The lowercase letters come from another BB&S typeface named Clearcut Italic....