font_category: decorative

TiedUp is a distortion of the font Ingone. I no longer remember which font distortion program or procedure I used to get this cut-up or ragged effect.

PeterPierre is a stiff, awkward sans serif face. It has little variation in stroke width and the vertical and horizontal elements are connected with short, sharp curves. The condensed style was developed first and...

Glitzy is a caps-only font with extreme contrast. It was inspired by Art Deco typefaces, especially Broadway by Morris Fuller Benton, but Glitzy is not an attempt to reproduce that typeface. The letters on...

Abagail Jackson is a wild-looking face that was one of my early designs. I had no particular use in mind when I designed it and I no longer remember what inspired this whimsical font.

Craggy has a narrow, spidery, irregular set of letters. Its creepy, Halloween spirit makes it ideal for scary stories and similar uses. The family has three base styles: condensed, regular, and bold. Each comes...

In the 19th century typefaces with star-like serifs developed from the medieval type styles, retaining the sharp corners and peaks of some of the blackletter types but losing the flourishes on the upper-case letters....

One of the odder things I remember from high school (50+ years ago) is the tile floor of hexagons in the bathroom. There is something fascinating with the way hexagons fill the plane. BakerHalfDozen...

Myhota is a condensed sans-serif face that has a bit of rawness to it. It is condensed and has a very high x-height, so it more useful for display than text. Myhota-Bold and Myhota-Light...

In 1990 I designed the font XLeafMeAlone. In 2006 I decided that it was time to improve it. Instead of adding to it, I created two new fonts containing almost 200 leaves: MapleOaks and...

In the early days of PostScript fonts, I designed a font of leaves called XLeafMeAlone. In 2006 I decided to revisit this topic and the result was two sets of new leaf fonts: MapleOaks...