Vulpa is a charming serif family in regular, italic and bold, informed by the proportions of a personal favorite, Plantin. The quirky foxtail terminals (inspired in part by my script font, Gelato Script) can...
Livory is a serif type family of four fonts including small caps, 25 ornaments & 50 ligatures in each style. It was designed by Hannes von Döhren & Livius F. Dietzel between 2005 and...
The six weight Organon Serif typeface is a stylish and feature-laden OpenType family which complements its sister Organon Sans, both components working in tandem to create an elegant, legible and thoughtfully designed suite of...
Using the genetic inheritance of semi-serif typeface Ninfa, designed in 2008, Ninfa Serif has 10 styles and designed to fulfill all needs in the design of text – books and magazines.
This family was inspired by the pure Jenson set of fonts used in Venice to print De preparatio evangelica in the year 1470. The present font contains all of the specific latin abbreviations and...
This family was inspired by the beautiful roman font used by Aldus Manutius in Venice (1499) to print for the first time Hypnerotomachia Poliphili…, the well known book attributed to Francesco Colonna. Francesco Griffo...
This font was inspired by one of Antoine Augereau’s three roman typefaces: the Gros Romain (±16 Pts) size, used in 1533 to print Le miroir de l’âme…, a religious poetic compilation by Marguerite de...
This family was inspired by the set of fonts used in Paris by Ponce Rosset, aka “Faucheur” to print the account of the second voyage to Canada by Jacques Cartier, first edition, in 1545....
This family was inspired from the set of font faces used in Amsterdam by Daniel Elzevir to print the famous “Tractatus de corde…” the study on earth anatomy by Richard Lower, in 1669. The...
Augustin is an elegant and legible typeface inspired by the classic letter forms of the renaissance, namely the type of Nicolas Jenson made in Venice in 1470. The style-linked family includes oldstyle and lining...