Mir
Мир is Mir. The Russian word Мир (Mir) means both World and Peace. The rendezvous of the two terms seems quite unique and utopistic today, but it is comforting to see that it was...
font_category: legible
Garvis Pro
Inspired by both turn of the century neoclassical forms and Dutch Fleischmann Type, Garvis is designed to bring the character of those typefaces into more modern times by increasing the sturdiness of the forms...
Cresta
Loaded with personality and functionality, Cresta is built to look good while surviving the worst conditions. It is at home on screen and in a magazine. Its six weights are intended to be used...
Mainlux
MAINLUX is an elegant typeface family with a unique touch to each character.It comes in 12 weights, 6 straights & italics.MAINLUX was designed to give a luxurious impression to your artwork, products, web business...
Adagio Slab
The Adagio Family is a part of Mateusz Machalski’s, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisław Wieczorek and his brave PhD student Jakub Wróblewski. Adagio is...
Adagio Sans
The Adagio Family is a part of Mateusz Machalski’s, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisław Wieczorek and his brave PHD Jakub Wróblewski. Adagio is a...
Adagio Serif
The Adagio Family is a part of Mateusz Machalski’s, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisław Wieczorek and his brave PHD Jakub Wróblewski. Adagio is a...
Recline
Recline comes in a modern style featuring 10 weights, 5 straight & angled, making it easy to adapt to your design. An elegant typeface, Recline is perfect for corporate identities, websites, publishing, titles, books,...
Vernacular Serif
The Vernacular trilogy was designed by Swiss designer Hans-Jürg Hunziker, who had worked for Adrian Frutiger in Paris for many years. Based on the concept of a transitional Linear Antiqua, he has developed a...
Gentona
Designed for a wide range of applications, Gentona was intended to support the goals of contemporary design paired with a mostly swiss oriented demand on typography – neutrality. The result is a nine-weight neo-grotesque...