font_category: legible

In searching for a Roman to use, I found there were bits of Bembo, Times, Garamond, etc., that I liked and bits that I did not. So I set out to take the best...

Based heavily on Gill especially in the mid weights, Astoria has a subtle top left serif which makes it not quite a Roman and not quite a Sans. Designed specifically as a text face...

A modern update of the unique sans display font Peignot originally designed in 1937 by A. M. Cassandre. The font has been modernised by making all the terminals soft and making a larger x...

The Sans serif companion to Astoria. Based heavily on Gill especially in the mid weights and with a consistant series of condensed weights. Designed specifically as a text face it still works very well...

British Empire is an attempt to re-create some of the typographic characterisics of countries within the former British Empire. It is a sans-serif with unusual up-facing serifs on some of the caps and the...

The latest addition to the Astoria Range, Astoria Classic Sans has the same basic Characteristics as Astoria but with vertical stress. A sans-serif companion to Astoria Sans. Unlike Astoria, but like Astoria Classic, the...

The latest addition to the Astoria Range, Astoria Classic has the same basic characteristics as Astoria but with vertical stress. The characteristic subtle top left serif which makes it not quite a Roman and...

Arequipa is a Latin font with serifs generally top left. The style is influenced by Aztec and Inca designs the Bold weight is excellant for Headline and the lighter weights work well in limited...

Witchcraft is a classic Roman font in three weights and corresponding italics. The ‘v’,’w’,and ‘y’, use the old style join at the top reminiscent of Georg Belwe’s Roman design “Belwe”. The large x-height makes...