Lusta plays with the interchangeability of an inline and an outline, negative and positive space. Often one single character will epitomise the design of a font, and here the S served as the conceptual...
Recently the Rogue family was designed as an accompaniment to Paralucent for Loaded, London’s notorious lads-mag that had found its design being cloned by the competition and sought something unique to set it apart.
An elegant geometric linking script that uses OpenType programming to intelligently substitute “beginning” and “ending” characters with uniquely designed variants. The family also includes swash alternates that can be toggled on or off in...
Rian Hughes’ 15th collection of fonts, “112 Hours”, is entirely dedicated to numbers. Culled from a myriad of sources – clock faces, tickets, watches house numbers – it is an eclectic and wide-ranging set....
A heavy obround sans with a high x-height and unusual lower-case spurs that flow up and into the bowl. This curve is mirrored in the ascenders. The alternates provide for closer, denser setting.
A robust rectangular sans with round corners and subtle rounded stroke terminals, Kallisto weds a rational, machine-made aesthetic with a certain warmth that derives from more familiar letter shapes found on diestamped or embossed...
A lined variant of Kallisto, suggestive of scan lines, speed and display screens. Kallisto weds a rational, machine-made aesthetic with a certain warmth that derives from more familiar letter shapes found on diestamped or...
Droog is an unusual rounded font pierced with circular holes, some of which are used in lieu of counters. Used to best effect in shorter settings and at larger sizes. Suitable for science fiction...
Impetus is a powerful capitals-only geometric sans in a solid and inline variant. Built around a framework of a circle and square, it echoes angular Deco or Italian Futurist “moderne” forms, and is about...