Shàngó, inspired by the initials from Professor F.H. Ernst Schneidler’s classic design released in 1936 as Schneidler-Mediaeval mit Initialen, is an elegant design that looks best when used at large sizes, as the original...
Plantain was commissioned by Smarter Image for their catalog design of several years ago. Very bold and tightly spaced; ideal for large headlines and ad work. This font also contains the Federal Express logo,...
Eden Light, originally designed by the American type designer Robert H. Middleton in 1934, was commissioned by Publish magazine for a redesign in 1990. When I found a specimen of Eden Bold a couple...
Based on Transitional Roman forms, this tasteful and well crafted Humanist display face exudes an air of authority along with a subtle playfulness. Narrow proportions allow for space conservation. Alternate letterforms & ligatures give...
Mai Pro is a new transitional antiqua that features ligatures, smallcaps and full Central European support. Mai’s classic design is understated enough to be used for long running text applications yet includes unique characters...
Stickley Optical Family is an expansion of P22 Stickley Text, a humanist, Oldstyle-rooted design with a contemporary execution and full OpenType abilities. The font contains ten distinct cuts across four optical masters—in addition to...
The design of P22 Foxtrot is inspired by the lively ballroom dance of the same name. Foxtrot is a transitional antiqua with rounded serifs that features ligatures, small caps, oldstyle numerals and full Central...
Based on turn-of-the-century advertising type. A condensed, fat-faced display font with a touch of the medieval. The influence of art nouveau is also present in the high-waisted caps and flowing lines, putting the face...
An open, lightweight font of classical Roman proportions, designed for text or display setting. The serifs are slightly hooked, giving the face a liveliness on the baseline.
A whimsical font with robust curlicues. Designed for display lines on show programs, posters, print ads etc. Many—but not all—of the letters are based on rounded Lombardic medieval forms.