font_category: serif

Central Type Foundry of St. Louis issued this quirky little gem under the name of Quaint Roman around the turn of the twentieth century. This version is a little less gnarly than the original,...

Here’s a fresh take on a classic, Caslon Black Swash by Ed Benguiat. Big, bold and beautiful, it’s a natural choice for distinctive and attractive headlines. Several alternate lowercase characters are included in the...

This “Anglican” style typeface is based on an 1880s release from St. Louis’ Central Type Foundry originally named Euclid. It’s amazingly versatile, easily at home in both formal and fun settings. All versions of...

A rather quaint but charming typeface, originally named Harlequin, provide the inspiration for this typeface. Its mild eccentricities will add an inviting warmth to your next project. Both versions of this font contain the...

Here is a faithful rendering of Pracht Antiqua Schmallfett , designed by Carl Pracht for Nordd. Schriftgießerei in 1942. Its graceful curves and tight fit make it a natural for commanding yet cuddly headlines....

This elegant stencil face is based on lettering used by Charles-Edouard Jeanneret, popularly known as Le Corbusier, on his architectural drawings. Big, bold and beautiful, it’s the perfect choice for commanding headlines or subheads....

The inspiration for this typeface was discovered on a 1906 travel poster, promoting the Hotel Braunwald, located in the Swiss Alps. Its odd blend of Art-Nouveau-meets-the-Old-West makes for fetching heads and subheads. Both versions...

This rough-hewn offering is patterned after Antikva Margaret, designed by Zoltán Nagy for VGC in the mid-60s. Its energetic and, at times, eccentric letterforms make this face a perfect choice for headlines and subheads...

A poster by Otto Baumberger for an Austrian winter sports festival in 1907 inspired this charming confluence of medieval and Art Nouveau influences. As such, its appeal is timeless, and well suited for storybook...