Heretic
Heretic surrounds itself with an atmosphere of evil, carnival freakshow and no-nonsense thuggery. Mix the black and condensed weights of this octagonal blackletter together for more interesting, yet disconcerting results.
font_category: serif
Seabright Monument
During a ‘type walk’ at the 2007 AtypI conference in Brighton, typographer Phil Baines pointed out what he considered to be a particularly egregious example of over-decorative art nouveau lettering on a war memorial....
Apocrypha
Inspired by an example of eroded Portuguese cast-iron ecclesiastical lettering mounted on marble, Apocrypha has been designed to evoke an age-worn imperfection; once elegant, but now eroded and distorted by time. Mix the characters...
Maraschino
DF Maraschino Black – A sleek, sophisticated swash capital font with elegant thick and thin weight distribution. Bold yet poised, direct yet refined. The swash capitals are intended for use at the beginnings of...
Clique
A clean elegant subtly flared serif in three weights suitable for high-fashion and luxury brand use.
Nicholas
Nicholas is a headline version of Goodchild, Shinntype’s version of Jenson. It has been specially modified with very fine details and an ultra-tight fit for headlines that really get noticed.
Goodchild Pro
Goodchild Pro is a pragmatic text face, equipped for sophisticated academic typography. The face has a large x-height, as there is little point in adding to the stock of rangy “book” Jensons. Despite this...
Dair
Designer: Carl Dair Revived by: Nick Shinn A restoration of the first Canadian-designed typeface, which was completed by Carl Dair in 1967 and named after 16th century explorer Jacques Cartier, who mapped the Gulf...