Antique
The concept of the Baroque Roman type face is something which is remote from us. Ungrateful theorists gave Baroque type faces the ill-sounding attribute “Transitional”, as if the Baroque Roman type face wilfully diverted...
font_category: Transitional
Baskerville Original Pro
Until recently the story of this typeface ended with mediocre digital versions, which did not get at the root of its inspiration. Our pursuit of this paramount body typeface of the 20th century began...
Regent Pro
This modernized rustic Baroque Roman face paraphrases freely its model from the first half of the 18th century. The shape of the letters has been cleared from all unevenness and softness, but has retained...
Carot Display
Carot Display is made for book covers and posters, but will also shine in advertising and visual identity. The whole Carot system is built up from what has long been around; in any case,...
Miller Banner
Miller Banner takes Matthew Carter’s popular Miller series to new heights: 100pt and up, beyond any examples among the Scotch Roman’s historic antecedents. Optimized for very large settings, its hairlines have been sharpened and...
LTC Glamour
Glamour was originally released by Lanston Monotype in 1948. It is based on Corvinus designed by Imre Reiner. P22 Designer Colin Kahn has added some unusual variants to this family illustrating that Glamour can...
Barataria
When designing a font, I often imagine how I think it should be used or where I’d be likely to see it out in the real world. With Barataria I envisioned it on decorative,...
Newton
Based on Times New Roman of Monotype, 1932, by Stanley Morison and Victor Lardent, and other versions of Times. It has many characteristics of an Old Style serif faces; it was designed for better...
P22 Franklin Caslon
This font set was created in collaboration with the Philadelphia Museum of Art to coincide with the Benjamin Franklin Tercentenary. This font set includes faithfully reproduced letterforms digitized directly from images of impressions made...