Univers
The font family Univers is one of the greatest typographic achievements of the second half of the 20th century. The family has the advantage of having a variety of weights and styles, which, even...
font_designer: Adrian Frutiger
Westside
Westside was designed by Adrian Frutiger in 1989 and is a kind of wood type. It is reminiscent of dusty streets, Wild West heroes and swinging saloon doors. The origins of this kind of...
Ondine
The powerful original script designed by Adrian Frutiger for Haas in 1954. Although having nothing to do with the subcontinent (the capitals are based on informal Roman inscriptions, the lowercase Frutiger’s own calligraphy), the...
Versailles
The origins of the font Versailles go back to the 19th century in France when, with the introduction of lithography, alphabets could contain freer forms. The basic forms are Modern Face with triangular serifs....
Vectora
In creating Vectora, Adrian Frutiger was influenced by American Gothic styles, especially those of Morris F. Benton’s Franklin Gothic and News Gothic. Vectora is light and balanced, giving text legibility and a harmonious appearance.
Meridien
Undertaken in 1957 for Deberny & Peignot, Adrian Frutiger’s Meridien develops the Latin form into a classical text face of brilliant texture. Effective distribution of this exceptional face has been limited to France. Monotype...
Avenir
In drawing the Avenir® typeface, Adrian Frutiger looked to both the past and the future for inspiration. His goal was to reinterpret the geometric sans serif designs of the early part of the 20th...
Linotype Didot
The Didot family were active as designers for about 100 years in the 18th and 19th centuries. They were printers, publishers, typeface designers, inventors and intellectuals. Around 1800 the Didot family owned the most...
Egyptienne F
Deberny & Peignot’s elegant humanist slabserif designed as a photocomposition textface by Adrian Frutiger in 1956.
Linotype Centennial
Centennial appeared in 1986 in honor of Linotype’s 100th birthday. The roman and light cuts of the font are reminiscent of the Century typeface, particularly on that of Linn B. Benton and Morris F....