Brigade
In searching for a Roman to use, I found there were bits of Bembo, Times, Garamond, etc., that I liked and bits that I did not. So I set out to take the best...
font_designer: Alan Meeks
Astoria
Based heavily on Gill especially in the mid weights, Astoria has a subtle top left serif which makes it not quite a Roman and not quite a Sans. Designed specifically as a text face...
Astoria Sans
The Sans serif companion to Astoria. Based heavily on Gill especially in the mid weights and with a consistant series of condensed weights. Designed specifically as a text face it still works very well...
Pinot Grigio Modern
A modern update of the unique sans display font Peignot originally designed in 1937 by A. M. Cassandre. The font has been modernised by making all the terminals soft and making a larger x...
Spartacus
A further development of the Colosseum range but this with a slab serif. Visually monoline and modern in appearence it still retains its Trajan characteristics. The addition of Spartacus black with its unusual Italic...
Vatican
Vatican is a calligraphic face. The lower case is influenced by the lettering of Arthur Baker but the caps are more formal, the shape of the Cap V reminded me of a Bishops Mitre...
Chalky
Originally designed as a supermarket point-of-sale font, Chalky is a chalk on blackboard style of lettering. More condensed than most fonts of this style, chalky can be used in relatively long settings without losing...
Dublin
Classic Celtic style of lettering with an alternative set of capitals and a few alternative lower case.
Colosseum
Although a sans serif, Colosseum owes its style to the original Trajan Roman form. Borrowing some characteristics from Friz Quadrata, in its san serif form it is more adaptable to text usage whilst still...