font_designer: Alejandro Paul

The unmistakable hand of Angel Koziupa and the technical expertise of Alejandro Paul brings us once more the kind of calligraphy that reads softly yet commands attention. This time around, Angel’s statement adds a...

The unmistakable hand of Angel Koziupa and the technical expertise of Alejandro Paul brings us once more the kind of calligraphy that reads softly yet commands attention. This time around, Angel’s statement adds a...

Lynda is a post-modern, monoline rounded sans ideal for club flyers, music covers and fashion publications. The fonts were designed by Ariel Di Lisio and digitized by Alejandro Paul.

Paz, a squarish 4-weight industrial family, ranging from extreme hairline to black. It is ideal for editorial headlines where type plays a major role in the overall design. The fonts were designed by Ariel...

Santino is a rounded monoline, post-bauhaus geometric font with smooth extremes and a touch of modern sensuality. It is named after Ariel “Negro” Di Lisio’s son. The fonts were designed by Ariel Di Lisio...

Semi-formal and eye-catching elegance is the name of the game, says Aguafina Script, Koziupa and Paul’s latest creation. Graceful, but not too casual. Knowledgeable and artistic, but not too imposing. The characters flow into...

As a follow-up to his popular Chocolate font, Angel Koziupa softens his brush again to produce Felipe, a font made in the memory of his brother. As packaging-friendly and versatile as any Koziupa font,...

Lombriz attempts to bridge the gap between different kinds of typography – including packaging, signage, and sporting. The result is a heavy, yet casual, 1950s-inspired semi-connected script. The freestyle Lombriz feels friendlier, more readable…

Cenizas is another masterpiece of rough-and-tumble script from the prolific Argentine duo of Koziupa and Paul. Although the overall ‘wildness’ of Cenizas is reminiscent of popular mid-twentieth-century English display scripts, Koziupa’s Latin brush…