font_designer: Cristóbal Henestrosa
Espinosa Nova is a revival based on the types used by Antonio de Espinosa, the most important Mexican printer of the sixteenth century and very probably the first punchcutter anywhere in the American continent...
This is a digital revival by Cristóbal Henestrosa based on an experimental typeface named Charter, designed – yet never fully accomplished – by the prominent William Addison Dwiggins. It is an upright italic, unconnected...