font_designer: Dan Solo

This would be a Clarendon if it weren’t for the cute serifs, which set it apart. Reads well in copy blocks.

Carl Schraubstadter of the Inland Type Foundry probably had more to do with the design of this italic than he did with the roman. Great for Craftsman Era projects.

A product of the Inland Type Foundry, some say stolen from a hand lettering job done by Goudy. (Goudy was one of those who said it!)

A compressed wood poster type from the mid-1800s. Certainly handy for excessive copy on a single line.

We had a dozen or so letters of this of this, picked up at the flea market in Vienna. The rest came from our imagination.

This is almost a necessity if you are doing reproductions of mid-19th century posters and playbills.

This font was inspired by the lettering on a shop sign along a very classy shopping street in Bordeaux, France. There were similar styles among mid-nineteenth century types.

Curlicues galore on this modern version of a mid-victorian display type. We started with the caps from a type called Cellini, altered them considerably, and added a lowercase.