font_designer: Dan Solo

A Victorian type which, like so many others, was originally offered without a lowercase. As we do so often, we designed a matching lowercase for it. We also added a shaded version of the...

This early 1900s type is from the German foundry of Schelter & Gieseke, and is typical of early twentieth century design. As usual, we have added all the modern necessities, such as monetary signs...

This interesting type was introduced by the Chicago firm of Marder, Luse & Company in 1890, about the time designers were beginning to lose some of the excessive ruffles and flourishes that characterized the...

A neat face with pronounced spur serifs which several foundries have already digitized. We like ours better though, because we have drawn a lowercase which was lacking in the original. Barnhart Bros. & Spindler...

A European font from Bauer’s foundry was the inspiration for the caps in the font. There was no lowercase, so we designed one. Although the original font was intended for display lines in advertising,...

Here is a wood type from Tubbs & Co., about 1900. Its lack of decoration reflects the changes that were rapidly occurring in the design of printed pieces at the beginning of the 1900s....

When you use this font, be sure to look for the two different sets of end and spacing pieces, one with stars, one without. The ends are on the Bracket and Brace keys, and...

No telling how old this font is, because it came from Hamilton, a firm that was late in the wood type business, but was the repository of many older patterns from earlier wood type...

This font was adapted from an old lettering book, circa 1900. The book got away from us many years ago, but we had made stats of all the potentially useful fonts. Original had no...

This font is a somewhat modified version of the original issued by the Manhattan Type Foundry in the 1880s. This New York foundry was in business for less than five years, so its fonts...