font_designer: Dan Solo

This interesting type was introduced by the Chicago firm of Marder, Luse & Company in 1890, about the time designers were beginning to lose some of the excessive ruffles and flourishes that characterized the...

Here is a wood type from Tubbs & Co., about 1900. Its lack of decoration reflects the changes that were rapidly occurring in the design of printed pieces at the beginning of the 1900s....

A European font from Bauer’s foundry was the inspiration for the caps in the font. There was no lowercase, so we designed one. Although the original font was intended for display lines in advertising,...

When you use this font, be sure to look for the two different sets of end and spacing pieces, one with stars, one without. The ends are on the Bracket and Brace keys, and...

No telling how old this font is, because it came from Hamilton, a firm that was late in the wood type business, but was the repository of many older patterns from earlier wood type...

This font was adapted from an old lettering book, circa 1900. The book got away from us many years ago, but we had made stats of all the potentially useful fonts. Original had no...

This font is a somewhat modified version of the original issued by the Manhattan Type Foundry in the 1880s. This New York foundry was in business for less than five years, so its fonts...

We began with the Victorian font Dotted, so-called because the counters of many of the letters contained a dot. We knocked out the dots, added a lowercase, and voila! a more useful type than...

Our penchant for banner types lives on. This one is our take on an 1880s font called Mezzotint. Banner fonts give the appearance of art work, without having to do any. We like that.

This came from an early-1900s lettering book. Never was an actual font, but it has a quaint look that should be useful. We hate to see alphabets just fade away, which is why we...