font_designer: David Vereschagin
Ratcaps and Ratkeys were designed as a set of highly-legible keycap fonts for use in software and systems documentation destined for in-house printing. They were specifically designed for clarity and legibility even on low-resolution...
Ratcaps and Ratkeys were designed as a set of highly-legible keycap fonts for use in software and systems documentation destined for in-house printing. They were specifically designed for clarity and legibility even on low-resolution...
My Aunt Celia was designed as a quaint, quasi-elegant display face using caps and small caps. The family consists of two fonts: regular and alternate which, between them, provide many special swash characters, tall...
Farquharson is an all-caps display face, adapted from an early American woodtype, and designed especially for use in the book Charlie Farquharson’s Unyverse. The complete family consists of two fonts: a regular version and...
Clear Prairie Dawn is an original humanist sans serif family based on the designer’s own printing. Designed for use as a text face, as a humanist sans it shares some of the characteristics you...
Clear Prairie Dawn is an original humanist sans serif family based on the designer’s own printing. Designed for use as a text face, as a humanist sans it shares some of the characteristics you...
Toronto Subway is based on the lettering originally used for station identification and signs by the Toronto Transit Commission (TTC) in the Toronto, Canada, subway system. The first subway line opened in 1954. However,...
Kubrick is an experiment in extremes. The Light font is very tall and slender, the Black font is very massive, and Kubrick’s slender counters push some of its glyphs to the edge of recognition....
Spike was designed as a Latin type family, with the characteristic triangular serifs, but with more character and range of weights than the more common latin faces available. Designed as a display face, it...