font_designer: Dieter Hofrichter
Epoca Pro
Epoca, designed in 2010, is a classic linear sans for text and display. It has economical proportions, a neutral appearance and a discreet elegance. While sturdy and robust, it is nonetheless a strong workhorse....
Argos
Argos, a type face with a strong personality. A rounded serif type family which uses exclusively modern design elements. While it possesses decorative qualities, thanks to its hearty serif weights it can be successfully...
Impara
Impara was designed in 2010. It is a slightly contrasted sans serif with a lively stroke ductus and distinct humanistic characteristics. It represents a synthesis of linear coolness and classic elegance. It qualifies for...
Corda
Corda – an elegant serif family with an easygoing, flowing ductus. It is semi-contrasted and even in the heavier styles appears light and breezy. Pleasant for reading and in display sizes very attractive. Corda...
Cala
Cala is a reflection of Venetian Renaissance types but with a contemporary look. It has an energetic profile, achieved through soft outlines and a flowing rhythm. It is lively, remains stable in small sizes...
Erato
Erato follows the structure of french and dutch 17th century types. But instead of being historical, it uses modern formal elements. The simplification of similar formal elements creates a homogeneous and contemporary impression. Erato...
Sonus
Sonus – a new monoline family with dynamic-flow drive. Influenced by early English sans serifs – Powerful and energetic but with some classical features. Its firm structure makes it great for text and demonstrates its lively linearity...
Cassia
Cassia – a dynamic ‘Egyptienne’ with contrasting Italics and a classical appearance. More individual and agile and less cold than most Slab Serifs, it joins impetuosity with vitality. In display sizes it dazzles through...
Sina
Sina is a strong, sturdy and self-confident serif accented face. Distinct ascenders and descenders in classical proportions ensure pleasant reading. Robust but assertively warm, it recalls and references the virtues of early classical printing...