font_designer: Dino dos Santos
Quaestor Sans is the perfect companion to Quaestor. The smooth angles in the terminals make it closer to Quaestor and allows to keep the strong character of the typeface.
This is the kind of serif/sans serif typefaces that I always liked so much (like Optima by Mr. Herman Zapf that was always a great inspiration to me). Complete horizontal baseline with curve vertical...
Albo is part of a new set of typefaces inspired in ancient documents from Portuguese 15th and 16th century books. Based on a document from Afonso d’Alboquerque (Goa, July, 1514), Albo was designed to...
Boldina consists of 18 fonts with a lot of personality. This is a font to be mixed. That’s its purpose and that’s why it’s designed as one single weight in so many different styles....
This typeface was inspired in the amazing typographic work of Manoel de Andrade de Figueiredo that was published in 1722, named “Nova Escola para Aprender a Ler, Escrever e Contar, offerecida ‡ Augusta Magestade...
I started designing Cultura in 2003 for a book about the city of Porto, Portugal. It was supposed to be a typeface only to use in that book and only in Regular and Italic,...
I started designing Cultura in 2003 for a book about the city of Porto, Portugal. It was supposed to be a typeface only to use in that book and only in Regular and Italic,...
This three typefaces are a reproduction of the old portuguese calligraphic methods for students named Methodo Calligraphico para o Commercio e Lyceus by Pinto de Mesquita.
This typeface was inspired in the amazing typographic work of Manoel de Andrade de Figueiredo that was published in 1722, named “Nova Escola para Aprender a Ler, Escrever e Contar, offerecida ‡ Augusta Magestade...