font_designer: Elena Albertoni
The “Kiez“ is an old school style font designed by Elena Albertoni in 2016. Inspired by shop and bar signage of the sixties and seventies, which can still be found today in the so...
Senza is a contemporary, neutral, all-purpose sans serif family designed by Elena Albertoni. It was specially designed for the use on screen. With open shapes and large x-heights Senza guarantees high legibility for body...
The Vidal is a display typeface designed in 2016 by Elena Albertoni. It comes in three styles: Regular, Bold and Black. This wide sans-serif with low contrast is inspired by French and British Art...
Kigara was Elena’s first attempt at designing a text typeface. The result is not exactly a conventional book face. Strongly influenced by handwriting, Kigara is best suited for short texts set at medium to...
DejaRip is a contemporary, neutral, all-purpose sans-serif. It is modest and inconspicuous thanks to its basic, natural shapes; yet it lends a remarkable sense of clarity and accuracy to the overall design. DejaRip was...
Dolce is the next step in Elena Albertoni’s ongoing exploration of handwritten letterforms that started with her typefaces Dyna and Scritta. It is an attempt to arrive at a more naturally flowing type of...
Elena Albertoni on Dyna: “While studying in Paris, I worked for a design studio specialized in packaging. French supermarkets are full of lettering with a handwriting flavor, which seems to go very well with...
Nouvelle Vague is a display script typeface of a distinguished look defined by a steady rhythm, only broken by its offbeat, dynamic uppercase initials. It’s directly inspired by french advertising scripts from the fifties,...
Scritta Nuova was born to transpose my personal handwriting and evolved today into a smart typeface that maintains the original feel with improved legibility and visual balance. The steady rhythm and roundness of Scritta...
Acuta is a new all-purpose text serif with a good readability and a contemporary, robust look thanks to its low-medium contrast. The differences between thicks and thins are less strongly marked than in oldstyle...