Antique
The concept of the Baroque Roman type face is something which is remote from us. Ungrateful theorists gave Baroque type faces the ill-sounding attribute “Transitional”, as if the Baroque Roman type face wilfully diverted...
font_designer: František Štorm
Hercules
Where Modern is too fragile and Century too boring, Hercules comes with its elegant forms and, at the same time, with sufficient firmness to be usable for longer texts. In its heavy, bold designs...
Teuton
The present font project is inspired by a tombstone inscription on one German grave in northern Bohemia. Suitable combination: Plagwitz, Modell. Teuton is ideal typeface for graves and posters, for advertising as well as...
Lido STF
Times with a Human Face: In my article of the same name which appeared in the magazine Font, volume 2000 I described the long and trying story of an order for a typeface for...
John Sans
The idea of a brand-new grotesk is certainly rather foolish – there are already lots of these typefaces in the world and, quite simply, nothing is more beautiful than the original Gill. The sans-serif...
Andulka
A universal typeface for books, magazines and newspapers must be economizing, quiet, strong in drawing, but original and peaceful at the same time. Type “for all weather” must resist also many difficulties of printing...
Juvenis
Designs of characters that are almost forty years old can be already restored like a historical alphabet – by transferring them exactly into the computer with all their details. But, of course, it would...
Amor Sans
Antique monumental incriptional majuscule, originally carved in stone, and sometimes called “Roman Capital”, is the origin of the upper-case part of our latin alphabet. Its narrowed form, derived from handwritten originals used between the...
Areplos
To design a text typeface “at the top with, at the bottom without” serifs was an idea which crossed my mind at the end of the sixties. I started from the fact that what...
Amor Serif
Antique monumental incriptional majuscule, originally carved in stone, and sometimes called “Roman Capital”, is the origin of the upper-case part of our latin alphabet. Its narrowed form, derived from handwritten originals used between the...