Red Klin
A decorative сaps-only typeface designed for ParaType in 2004 by Gayaneh Bagdasaryan. Inspired by Russian fine art from the beginning of the 20th century – lettering by Sergey Chekhonin (1878-1936), graphic design by El...
font_designer: Gayaneh Bagdasaryan
Geometria
Although geometric Sans Serifs have been in vogue for nearly a century, they have never been as ubiquitous. It is not improbable that the old adage would be phrased: “When in doubt, set it...
Institut
Institut is an industrial-strength display face, with a no-nonsense feel of a research lab and audacity of a space mission control. Based on assertive geometric forms, it is suitable for a variety of on-screen...
Brutal Type
Brutal Type — is a new sans serif typeface with a distinct manly character. It’s based on the shapes of DIN font, however radically reconsidered. Despite the apparent simplicity and obviousness of forms, the Brutal Type...
Formular
If you were a grotesque in mid-20th-century Switzerland, you were expected to be serious and proper, if a little dull. Unlike its dogmatic Modernist predecessors, Formular is a hip Swiss sans serif of the...
Gerbera
Gerbera is a new sans-serif with a distinct personality that fuses geometric and organic elements. It is at once hip and quaint, clear yet idiosyncratic, restrained but sensual. Its deliberately varied classical capital proportions...
Nolde
Nolde is a new titling typeface named after the German-Danish painter and printmaker Emil Nolde, one of the first artists to work in the Expressionist style. Not unlike the work of Nolde the artist,...
Aeroport
Aeroport is a new typeface in the spirit of both German geometric sans serifs and Swiss neogrotesques. Its deliberately wide proportions and relatively short capitals account for the excellent way the type carries the...
Jet
Jet is an assertive italic sans that anticipates the return of the simpler, optimistic times when progress was considered positive and forward seemed to be the only way to go. It may have felt...
Coil
Coil feels comfortable like a well-worn pair of shoes. It could easily pass for an assertive industrial European sans serif of the early 1960s with its slight reverse contrast, monotonous proportions, and squared-off curves,...