font_designer: Herbert Thannhaeuser
Schelter & Giesecke’s highly esteemed font family, cut by Herbert Thannhaeuser, freshly redesigned for present-day use.
Herbert Thannhaeuser’s Gravira, released by Schelter & Giesecke in 1935, redrawn and revived for nowaday’s use.
Based on Herbert Thannhaeuser’s 1954 Kurier design, Puma is the digital version of what is possibly the friendliest yet least used heavy brush design. Aside from its utilitarian functionality as a poster and sign...
Designed by expert ad artist Herbert Thannhaeuser for East German foundry Typoart in 1955, Lotto was until now one of the long lost gems of European sign and brush lettering faces. Unlike in Kurier...
Missale Incana is a redesigned, new interpretation of a typeface from Herbert Thannhaeuser. Its a strong calligraphic roman typeface, well suited for headlines. OpenType features:
Between 1958 and 1961, Herbert Thannhaeuser developed the typeface Liberta for Typoart as a broadly conceived newspaper type which established itself quickly. Its positive adaptation by publishing houses and printing companies was based, next...