font_designer: Hubert Jocham
The idea for Granat goes back to my mysterious typeface Telepiu and later Teleneue. The straight horizontal bars in combination with the round joins create a very unique character. With Granat I wanted to...
Besides all the display and script typefaces I design, my real passion is to design typefaces for copy. Safran is the first of my sans serif workhorse families available from Myfonts. Starting from a...
And now something completely different. Keks has broken elements like a blackletter typeface, but the actual forms are roman. That keeps it very legible although there is no curve at all. What was the...
Germany has a strong heritage of industrial typefaces. These fonts seem like being constructed by engineers. The shapes seem to be built with circles and squares. DIN Mittelschrift is one very famous example, or...
Narziss is a very popular display typeface. People really love the thin hairlines and the swirls. But the basic idea is so strong that I decided to create a text version. The swirls of...
Riccia actually started with the idea of a Rotunda a. Specifically the lower part of it. This element has a lot of character and I wanted to transfer it to a modern sans serif....
Germany has a strong heritage of industrial typefaces. These fonts seem like being constructed by engineers. The shapes seem to be built with circles and squares. DIN Mittelschrift is one very famous example, or...
Madita started with the idea of an upright sans script. Unlike other script typefaces, some of the characters look fairly constructed. The endings are either vertical or horizontal. On the other hand there are...
When letterpress started with the Gutenberg Bible, the typeface was like a texture. Before humanism, type did not really need to be legible. The letters were rather drawn in an ornamental way. It filled...
In comparison to most of my typefaces that tend to be fairly expressive, I wanted Voice to be simple, effective and easy to use. Voice was designed to work well in a wide range...