font_designer: Jeremy Dooley

Asturias is a contemporary take on script fonts. Its characters are wider than most scripts, and the letterforms are somewhat geometric, giving it a modern and refined feel. The font is well suited for...

Fizgiger is a chance to kick back and take break from designing some of insigne’s more serious typefaces, like the sans serif Aberlyth. It is an extension of the ideas of Blue Goblet, but...

Aviano is an extended titling face with influence from the power and timeless beauty of classical letterforms. Aviano features extended characters for a formal feel, sharp, powerful looking serifs and geometric and consistent letterforms....

Valfieris Aged looks as though it just came off an antique printing press. Ink has pooled in the serifs and on the corners, and the metal did not make full contact with the paper...

Insigne Abstractions is a break from working with letterforms and a chance to play with pure abstraction. These ornaments are purely nonrepresentational, and are not letterforms. The abstractions are organic, and some would describe...

Arendahl is a natural-looking, irregular connected handwriting script. The script has a fluctuating baseline and swirling ending swashes to give the lettering a soothing flow. Arendahl utilizes OpenType ligatures and alternates to prevent duplicate…

Insigne is pleased to release Nanumunga, inspired by the carefree antics of tropical fish. Designers will find this typeface is useful whenever a relaxed and lighthearted typeface is required. Nanumunga is a versatile face....

Carta Marina is based on the titling found on the famous map drawn by Olaus Magnus in 1539. The map of northern Europe took 12 years to complete, and the total size is a...

Stratham is vigorous sans-serif inspired by the slab serif Clarendon. It is a heavy display face, and has a tangible modern British feel to it. The italic is especially dynamic and forward moving. Stratham...