font_designer: Jeremy Dooley
Inspired by the type elements of 17th century Dutch mapmaking, Boncaire Titling provides you with a historic yet adventurous look for your library. This addition from insigne found its muse in a map of...
Sancoale Softened is the new rounded companion to Sancoale. While the original Sancoale is crisp and defined, its delicate forms also lend themselves well to a lighter, more rounded version. The stems of Sancoale...
Firm and resolute, the sharp, triangular wedge serifs of the new Aviano Wedge stamps your copy with the confidence of late 19th century luxury, wealth, and power. Indicative of banknotes and financial strength, the...
Following the success of the Ashemore family, it became clear that a rounded version of Ashemore would be a great addition to the product line that would allow designers even more design choices. Ashemore...
In the world of webfonts, Condensed proportions are key to maximizing your page’s premium real estate while keeping your copy clean and catchy as you cut down to the essentials. Soon after the introduction...
The contemporary feel of the Sancoale superfamily takes a bolder turn with this futuristic slab. Built from Sancoale’s successfully simple geometry, Slab’s serif elements and tall x-height give the face an energetic, yet clean...
With this charismatic new type system, the possibilities are as large as your vision behind them. Achieve the impact you’re looking for by layering the different fonts and colorations for a custom, hand-drawn look...
The elegant Grenale brings a new look to the classic didone. This shimmering sans-serif family with its mild deco shades alters the typical serifs and terminals of the classic style to form a gracefully...
This best selling series has now been extended to include a new member, Blue Goblet Drawn. Blue Goblet is hand-drawn by the artist, Cory Godbey, and is organic, charming and exuberant. Characters bounce and...
I love geometric sans serifs, their crispness and rationality. Le Havre taps into this style, but for a while, I’ve wanted to create a font recalling the printed Futura of the 1940s, which seems...