Modesto Initials
Modesto Initials had existed as a single font for several years. I recently added a fill font to put color in the Inlines. The Inline font still works by itself. The Fill font works...
font_designer: Jim Parkinson
Amboy
Amboy is a two-font family. Amboy Inline and Amboy Black. Amboy Black is a recent addition. It can be used alone, but it is carefully tailored to fit behind the Inline font to add...
Modesto
Modesto is a loose-knit family based on a signpainters lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Bailey Circus...
Hotel
An inline gothic display font based in mid-twentieth century showcard and signpainting styles. All caps with some alternates in lower case keyboard positions.
Fresno
Fresno is a two-font family. Fresno Inline and Fresno Black. Fresno Black is a recent addition. It can be used alone, and it is carefully tailored to fit behind the Inline font to add...
Balboa
Balboa is a display design combining elements of early sans serif and grotesque types with contemporary types. It evolved from ATF Headline Gothic, Banner (a headline typeface I drew for the San Francisco Chronicle),...
Wigwag
WigWag Bold and Wigwag Deluxe are bold, informal lettering styles inspired by mid-20th century Showcard Lettering. Especially by the work of Speedball lettering artist Ross George, and also the work of Cecil Wade and...
Sutro
My affection for Slab Serifs began in the early 1960s in Kansas City with Rob Roy Kelly and his fabulous collection of wood type. In the 1970s tried to re-create a Nebiolo Egiziano for...
Richmond
Richmond is a geometric sans family in the spirit of Dwiggins’ Metro, Erbar by Jakob Erbar and the Underground type of Edward Johnston.
Benicia
Benicia is serif typeface. It reflects my ongoing fascination with the Golden Type/ATF Jenson design genre of the late 19th and early 20th centuries. Designed for display, it also works well at small sizes....