Alexander Quill
Alexander Quill was originally designed in the early 1980s to be cut in 14 point for casting into foundry type for the setting and printing of limited edition books at Pie Tree Press, Jim...
font_designer: Jim Rimmer
Cotillion Pro
Cotillion is an original design Jim Rimmer finished just before the turn of the century. Alongside its evidence of Jim’s nostalgia at the deco type designs he was exposed to as a child, it...
Loxley
Drawn shortly before Jim Rimmer’s passing in 2010, Loxley was designed to be used in a fine press edition of the folklore story of Robin Hood. It was named after the cited birthplace of...
Fellowship
Named in tribute to the members of the American Typecasting Fellowship, this font is an original expression of Jim Rimmer’s left-handed calligraphy. It was designed and cut in 24 p in the early 1980s,...
Stern Pro
Originally released in 2008, Stern is the only typeface to be produced and marketed simultaneously in digital and metal. In the twenty-first century, no less. It is also the last typeface Jim Rimmer ever...
Lancelot Pro
When type historians look back on Jim Rimmer, they will consider him the last type designer who just couldn’t let go of metal type, even though he was just as proficient in digital type....
Isabelle Pro
Isabelle is the closest thing to a metal type revival Jim Rimmer ever did. The original metal face was designed and cut in late 1930s Germany, but its propspects were cut short by the...
Lapis Pro
Lapis was Jim Rimmer’s venture into a territory he’d earlier explored with his Lancelot and Fellowship faces. This time he stayed much longer, dug pretty deep, and had plenty of fun in there. The...
Dokument Pro
Jim Rimmer aptly described his Dokument family as a sans serif in the vein of News Gothic that takes nothing from News Gothic. Building on that internal analysis, Dokument Pro is the thoroughly reworked...
Totemic
Jim Rimmer’s first typeface was originally published in 1970 as a basic film type alphabet through a small, independent type house in central California. Its sources of influence (now calligraphic type standards by Dair,...