font_designer: John Nahmias
Condensed serif font. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.
Slightly condensed with a taller lowercase, Gallivant carries itself very well. Similar to classic thick-and-thin san-serif faces with stems slightly facing inward. Note: OpenType variants may only be accessible via OpenType-aware applications.
Condensed Gothic. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.
A childlike freehand font amongst many others but with a more legible whimsical feel.
Claxon is reminiscent of the types from the 1920s Bauhaus movement. Designed with very short ascenders and descenders for tighter line spacing. Effective for short headlines and general use.
A tall upright CAP font with small caps. Now includes the Capital German double S (Eszett) ß. Applications include Captions, headlines, packaging, posters, ads, greeting cards, book jackets and/or covers.
A very graphic font with emphasis on legibility, dynamics and modern. Recommended for posters, titles, book covers, books, greeting cards, signage, packaging, invitations, magazine articles and advertising.
A brush font that keeps its legibility without sacrificing its free-spirit. Usage recommendations: Captions, packaging, cards, posters, ads, book jackets, manuals, and menus.
Juggler is a medium-line font suitable for work requiring a friendly style. Ideal for packaging, also suitable for special invitations, birthday cards, posters, ads and book jackets.
IMark is a “drying” marker hand written, felt tip pen font. Usage recommendations include captions, packaging, invitations, cards, posters, ads, greeting cards, book jackets and covers.