font_designer: John Vargas Beltrán
A font face with cyber, spatial, and virtual connotations that offers a decisive futuristic and techno spirit. Inspired by geometric forms from visual tendencies in the early 2000s, it was used once in corporate...
The idea for Cambalache was conceived back in 2008 and was to create a geometrical font based on tangential modules into structure. The serif would be arranged, looking to approach to the lettering shapes....
A font face with cyber, spacial, and aerial connotations that offers a decisive futuristic and techno spirit. Available in two stylish versions, clear and rusty. With one alternate for lowercase /a/ and more diacritics...
The first purpose of this typeface was to provide an original and systematized style of calligraphy adapted into a modern digital font. The forms are inspired by some illustrations created for a tarot card...
Cabriolet is a connected geometric script re-interpretation inspired by old chromo emblems of Chevy truck Apache of 1960. With three weight variables, it can be used in logos, games and graphic related to cars,...
The aim of this typeface is to merge two historical moments in the form and style of writing, on the one hand calligraphy uncial, and on the other Roman serif was established as a...
Cabriolet V8 is a vertical version of the Cabriolet family, a geometric script fontface re-interpretation inspired by old chromed emblems of 1950s.
Kalimba (name of an African percussion musical instrument) is inspired from common simple shapes present in many visual elements of African and Afro-American cultures. With more than 500 glyphs, Kalimba can be used in...
On October 12th 1976 a new basilica was inaugurated in honor and in gratitude to the Patron Saint, the Virgin of Guadalupe, loved by the Mexican people. This basilica was designed by the Mexican...
A display fontface for titles inspired on Latin America, Ethnic, Native, Tribal, Mysthical, Handmade, Aboriginal, Pre-Hispanic, Pre-Columbian, Textured. By mid-1997 I was developed the early type edition was called «Muisca Sans» as my work...