font_designer: Lars Bergquist
Eleonora tends to defy standard categories. Had the typeface been designed in about 1790, it might’ve been called a “late transitional face” and lumped together with Bell and Bulmer. But it’s a modern typeface,...
Baskerville Caps is a single font with two sets of large initial caps, the uppercase keys displaying a classical outline and the lowercase a floriate style. Both sets include the characters Å, Ä, Æ,...
Diorite is modern face built on classical letterforms — but left with a bit of residual roughness. Some might call Diorite forthright, others brutal. (It reminded the designer of the dark, hard igneous rock...
Bucintoro is a modern version of the rotunda blackletter, the Gothic book hand of Italy and Spain in the 14th, 15th, and 16th centuries. As the name implies, it’s more “rotund” than the tall,...
Midnight is a neon-sign-style font with two “gauges,” Light and Bright. Works best when used in reverse against a dark background. The styles have a 2:3 ratio, as do the gauges of the neon...