font_designer: Lars Törnqvist
An expanded caps-only cross-stitch font, based on a mid-20th century embroidery pattern. Accented letters for Western languages are included.
The characters in this font are composed of rounded lines with even thickness, giving an impression of neon tubes. Although the design is completely new, it has its stylistic roots in the modernistic 20th...
A cross-stitch font based on a classical pattern, including capital and lower-case letters for all Western languages.
A thin caps-only cross-stitch font, based on a late 19th century embroidery pattern. Accented letters for Western and Central European languages are included.
A thin, very elegant caps-only cross-stitch font, based on an embroidery pattern from the end of the 19th century. Accented letters for Western languages are included.
A rounded sans-serif with even stroke thickness, based on the standard round-pen ink lettering used on technical drawings in the middle of the 20th century.
A bold condensed caps-only cross-stitch font, based on an embroidery pattern from the middle of the 20th century.
A slightly regularized digital version of a late Baroque Fraktur type, probably from the beginning of the 18th century, issued by the Norstedts type foundry in Stockholm in 56 point size as “Sju petit...
A revival of “Gras Vibert”, a French fat face originally cast by the Didot typefoundry in Paris. It was cut in 1840 by Vibert, an engraver employed by the foundry. The capitals are heavier...
A decorative font with descending tails on the capital letters. The design is based on a popular typeface from the 1880s, mainly used for personal names on title-pages, advertisements and stationery. Today, you can...