font_designer: Matthew Carter
Miller Text
Matthew Carter’s Miller is a seminal reinvigoration of the 19th-century Scotch Roman, serving forthright, authoritative body copy and headlines since 1997. Miller Text has always been the epitome of a reliable publication workhorse. Alongside...
Miller Banner
Miller Banner takes Matthew Carter’s popular Miller series to new heights: 100pt and up, beyond any examples among the Scotch Roman’s historic antecedents. Optimized for very large settings, its hairlines have been sharpened and...
Miller Display
Miller, designed by Matthew Carter, is a “Scotch Roman,” a class of sturdy, general purpose types of Scottish origin, widely used in the US in the last century, but neglected since & overdue for...
Big Moore
A 1766 specimen by Isaac Moore, former manager of Joseph Fry’s foundry in Bristol, England, shows many types inspired by John Baskerville’s. But a century later, standardization had foisted inept lining figures and shortened...
Big Caslon CC
The three largest sizes of type made by the Caslon foundry are strangely unlike the famously consistent text faces cut by William Caslon. Perhaps they were the work of other hands—or of the master...
ITC Galliard
Galliard was originally designed for Mergenthaler Linotype in 1978 as a photocomposition typeface. It is modeled on the work of Robert Granjon, a sixteenth-century punchcutter whose typefaces are renowned for their beauty and legibility....
ITC Charter
Charter was designed in the mid-1980s by Matthew Carter. The typeface was designed with the limitations of low- and middle-resolution output devices in mind; hence the squared off serifs and the economy of diagonals...