font_designer: Nicholas Garner
Jacqueline is the culmination of successive attempts to render the loose but controlled script of the eponymous writer’s hand. The result is a fluid script that resembles pencil or chalk and flows legibly and...
A modern sans-serif, Atria is pinched at the junction of certain strokes, providing a distinctive appearance and aiding screen definition at small sizes. The glyphs cover Baltic languages and Cyrillic.
Developed from the simplest possible curves, Amy is a wide hand lettered style with tall straight ascenders and generously looped descenders. The capitals are centred horizontally with the lower case. A handful of ligatures...
Based on the character shapes of Atria Bold, Blocksta is a bullish rough cut sans with extensive language support. Hopefully it won’t start another cold war.
Rosie is a chunky but elegant pen script with useful OpenType features. In non OpenType-savvy applications it still works beautifully as a fully joined script.
Autobahn is a robust masculine sans of near monoline thickness and angular characteristics. Autobahn Std has a full Latin 1 character set but no CE, Cyrillic or Opentype features. For the extended character set...
Faithfully reproduced from my father’s design drawings made at The Municipal School of Arts and Crafts, Wolverhampton in 1939. Strong nostalgic influences of Art Nouveau and Art Deco. What caught my eye was the...
Autobahn is a robust masculine sans of near monoline thickness and angular characteristics. Available in four weights (with italics), it has a healthy compliment of OpenType Features and the character set covers most Roman-based...
Autocode is a highly legible monospaced font based on Autobahn, ideal for coding and wherever mono spacing is required. It also works effectively as a general text font.
A large x-height, open forms and colorful weight variations make Mensa an extremely legible body face particularly where space is at a premium. The three widths and six weights together with italics provide plenty...