font_designer: Nick Curtis
A poster by Otto Baumberger for an Austrian winter sports festival in 1907 inspired this charming confluence of medieval and Art Nouveau influences. As such, its appeal is timeless, and well suited for storybook...
An entry in the Palmer and Rey 1884 specimen book named, somewhat prosaically, Geometric Gothic provided the inspiration for this rectilinear romp through the alphabet. As apt as it is for a period piece...
The 1884 specimen book of San Francisco Palmer and Rey Type Foundry featured this elegant design under the name Oxford. The decorative caps, combined with the centered small caps, have a timeless appeal. Both...
Here is a faithful rendering of Albert Auspurg’s a 1927 expressionistic masterpiece, Messe Grotesk Licht. Its raw power and compact letterforms make for commanding and engaging headlines. Both versions of the font include complete...
This playful Art Deco classic was inspired by one of many posters produced by the WPA by anonymous artists during the 1930s. An inline version has been added to spice up the visual interest...
Two classics from American Type Founders specimen catalogs of the 1880s—Othello and ATF Black Caps—inspired this powerful headline face with a decidedly menacing quality. Suitable for creepy, eerie and spooky occasions. Both versions of...
This Albert Auspurg offering from 1915 for the German foundry Schelter & Giesecke was originally called Kolibri, or Hummingbird. The design combines formal elegance with a carefree, wide stance, making it a perfect choice...
Another tip of the hat to master draftsman Samuel Welo. His famous Studio Handbook was hand-lettered throughout, and provided the inspirations for many of Nick’s favorite fonts. This little number is based on the...
Here’s a workmanlike interpretation of John Pistilli’s eponymous extreme Didone, originally designed for VGC in the 1970s. The typeface’s strong contrasts and graceful nuances guarantee that your headlines will get noticed. Both versions of...
Here’s another gem from Samuel Welo’s perennial classic, The Studio Handbook, originally called Goddard Classic. Welo’s inimitable penwork manages to be both worldly and whimsical, and remains as fresh today as when it was...