font_designer: Nick Shinn
Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; Steve added the...
To see the “auto-mix” effect, go to the Webfont page. This typeface has been designed to demonstrate a hypothesis: consistency in letter form and style is not essential to fluent reading. The Neology fonts...
Proven in newspapers around the world, Worldwide is a classic news face in the modern idiom, somewhat condensed, especially in the display weights. The Regular font of the Text family is loaded with features.
Proven in newspapers around the world, Worldwide is a classic news face in the modern idiom, somewhat condensed, especially in the display weights. The Regular font of the Text family is loaded with features.
Proven in newspapers around the world, Worldwide is a classic news face in the modern idiom, somewhat condensed, especially in the display weights. The Regular font of the Text family is loaded with features.
Condensed “modern” family based on the early 19th Century Walbaum typeface. A variety of treatments for use at sizes ranging from text to large display, where the micro-detailing comes into full effect.
Engaging the issue of scalability, Beaufort® is configured so that serifs render with great sharpness, independent of type size, limited only by device resolution. This scale of effect empowers the typographer with a design...
Rearranging the conventional disposition of thick and thin strokes in the Modern (Didone) class of typeface.
Rearranging the conventional disposition of thick and thin strokes in the Modern (Didone) class of typeface.
Rearranging the conventional disposition of thick and thin strokes in the Modern (Didone) class of typeface.