font_designer: Patrick Griffin
The objective of this font was to try and find out how far back in the designer’s life this obsession with letters began. The challenge was to draw, from memory only, two sets of...
This is the one and only Neil Bold, designed by Wayne Stettler in 1966 and originally published as a Typositor typeface. An award-winner and instant celebrity upon its release, Neil Bold became synonymous with...
The Canada Type library has acquired a reputation for housing some of the most eye-catching and popular hippie and funk fonts. Kevin King wanted to be part of the hype, so he got the...
Shred is the result of staring at so-called three-dimensional shapes for days on end, then capping the meditation by eating the white light at the end of the tunnel and sweating it out a...
This gem of a script was what metal era typographers called a “continental face”, which essentially meant an old, most likely uncredited, metal face that was common to many European foundries. This particular one...
Kumlien Pro is the revival and expansion of a typeface designed in 1943 by Akke Kumlien, the famed Swedish book designer, poet, author, painter and arts materials expert. At the time, being the first...
A year after the tremendous success of Memoriam in the “Lives They Lived” issue of the New York Times magazine at the end of 2008, Patrick Griffin and Nancy Harris Rouemy teamed up once...
Taking its cue from the lettering of 1930s Dutch commercial artist Martin Meijer, Libertine is a script where expert calligraphy and total wrist control are on display. With strokes stopping and starting at very...
It’s big. It’s very big. Spade is a double whammy of pure slab footprint, sharp and soft, cowboy and cowgirl, country and western, shot and chaser, settlement and new frontier. It’s also quite modern...
This is the rounded, softer version of Canada Type’s popular Press Gothic. Originally done in 2011 for a global publisher, this font has already seen plenty of magazine and book cover action, perhaps even...