font_designer: Philip Bouwsma
The Torquemada family marks the return of eminent American calligrapher Philip Bouwsma to the type scene after almost 7 years of hiatus, and he is certainly coming back with a lot of bells and...
Bouwsma Script, based on Philip Bouwsma’s own handwriting, was originally released in 1994 and settled for nothing less than being an instant classic. One of Bouwsma’s widely used works in the 1990s, Bouwsma Script...
Philip Bouwsma is concerned about the survival of calligraphy in the computer age. The last time there was a technology shift of this magnitude, in Gutenberg’s day, the metal workers shouldered out the scribes...
Philip Bouwsma returns with yet another great manifestation of historical calligraphy. Luminari is an amalgam of High Middle Ages writing, a blend that combines the ornate Church hands with the simple Carolingian from the...
Mirabel is based on the handwriting of Beverly Bouwsma (Philip’s mother), which she developed in the 1930s in, as she puts it, an act of teenage rebellion. In the 1960s, Philip gave her a...
Bouwsma Text is what Roman type would look like if it had been designed by calligraphers instead of metalworkers. The formal harmony of the Roman capitals, with tapered stems, graduated curves and serifs which...
Philip Bouwsma makes use of his extensive calligraphy and type design experience by reaching into his vault and completing one of his unfinished projects from the mid-1990s. The result is Styx, a four-font connected-script...
Out of a lifelong inner struggle, Philip Bouwsma unleashes a masterpiece that reconciles classic calligraphy with type in a way never before attempted. Maestro takes its cue from the Italian chancery cursive of the...
Philip Bouwsma’s offbeat mind, always working in mysterious ways, brings us one of the unlikeliest syntheses of historical influences in a perfectly fluid, organic, and highly expressive connected script. Tupelo takes its inspirational roots...