font_designer: Ralph Unger
RMU Gloria is a family of two stylish fin-de-siècle fonts, formerly released by the Gursch Foundry, Berlin, which additionally were spiced with elements for frame making.
In the last decade of the 19th century, Bruce Type Founders, New York – among others – released this shaded typeface which they named Bowery. Carefully redrawn and digitized, RMU Bowery breathes fresh life...
The former hot-metal font Sebaldus Gotisch, a 19th century Berthold in-house design, was carefully redesigned and updated for today’s use. This font contains a long s which you can access by typing alt b...
At the end of the 19th century, the fin de siècle, both Bauer and Berthold released ‚Herkules‘, a heavy Art Nouveau font for ads and posters. This font was carefully redesigned and makes it...
Fette Kanzlei is a beautiful mid-19th century blackletter font with a touch of calligraphy which has been brought back into life again. The long s can be reached by typing alt plus b or...
This great Victorian display font of the late 19th century was revived for today’s use. You also find two frame elements. To start setting a frame, type [shift] + [alt] + p for the...
Heinrich Wieynck’s blackletter font, carefully redrawn and redesigned for modern use. Due to its proportions, this blackletter font can also be used for body texts. This font contains the letter ‚long s‘ which can...
Rekord Antiqua, regular and semibold, released 1911 by Wagner & Schmidt, is a perfect body text partner for Art Nouveau display fonts. Both styles come with a long s, which can be reached by...
RMU Belvedere is a revival of Heinrich Wieyncks design, which was released by Bauer in 1906. The font was completely redrawn and redesigned, and comes with a long s, two framing elements and two...
Manolo was a Ludwig & Mayer in-house design from the beginning of the 20th century. Though more formal than many others, the design keeps its Art Nouveau air. This beautiful font was completely redrawn...