font_designer: Ralph Unger
Friedrich Kleukens font design, influenced by the then prevailing Art Deco style, and released by Stempel in 1926, has been revived for modern use.To get access to all ligatures, it is recommended to activate...
In 1935 Ludwig & Mayer released Walter Höhnisch’s Skizze. This beautiful font was completely redrawn and redesigned for today’s usage. The following letters have stylistic alternatives: E, F, P, S, and T.To get access...
A blackletter font I could not resist to revive: Ernst Schneidler’s Buchdeutsch, released by Schelter & Giesecke in 1926 which I renamed as Werbedeutsch.This font contains the letter ‚long s‘ which can be reached...
Based upon remnants of the Ludwig & Mayer font Magnet, first released in 1951, this Italian-style design was completely redrawn and extended for most main European languages, West and Central, plus a character set...
In 1935 Schriftguss Dresden released Arno Drescher’s famous titling font Helion. This font was brought to life again and carefully extended with Baltic, Turkish and Central European character sets.
A font design of Paul Zimmermann, first released by Ludwig Wagner, Leipzig, in 1960, now revived and extended by Central European, Baltic, and Turkish character sets and their small caps. This font contains both...
Inspired by Timeless, Korpus Serif Pro is a completely fresh redesign of this former Typoart font family. All four styles – Regular, Italic, Demibold and Demibold Italic – contain besides the West and Central...
Neue Schwabacher is a revival of a revival. Albert Anklam modified the medieval letter forms of Schwabacher according to the fashion of the fin-de-siècle era, and his font was first released by Genzsch &...
F. H. Schneidler’s ‚Kontrast‘, released by Weber in 1930, revived.
RMU Pergola is a font design which was inspired by a late-19th century font of Georg Giesecke. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures.