RMU Omega
Friedrich Kleukens font design, influenced by the then prevailing Art Deco style, and released by Stempel in 1926, has been revived for modern use.To get access to all ligatures, it is recommended to activate...
font_designer: Ralph Unger
RMU Skizze
In 1935 Ludwig & Mayer released Walter Höhnisch’s Skizze. This beautiful font was completely redrawn and redesigned for today’s usage. The following letters have stylistic alternatives: E, F, P, S, and T.To get access...
Werbedeutsch
A blackletter font I could not resist to revive: Ernst Schneidler’s Buchdeutsch, released by Schelter & Giesecke in 1926 which I renamed as Werbedeutsch.This font contains the letter ‚long s‘ which can be reached...
RMU Magnet
Based upon remnants of the Ludwig & Mayer font Magnet, first released in 1951, this Italian-style design was completely redrawn and extended for most main European languages, West and Central, plus a character set...
RMU Helion
In 1935 Schriftguss Dresden released Arno Drescher’s famous titling font Helion. This font was brought to life again and carefully extended with Baltic, Turkish and Central European character sets.
Antiqua Florenz
A font design of Paul Zimmermann, first released by Ludwig Wagner, Leipzig, in 1960, now revived and extended by Central European, Baltic, and Turkish character sets and their small caps. This font contains both...
Korpus Serif Pro
Inspired by Timeless, Korpus Serif Pro is a completely fresh redesign of this former Typoart font family. All four styles – Regular, Italic, Demibold and Demibold Italic – contain besides the West and Central...
Neue Schwabacher
Neue Schwabacher is a revival of a revival. Albert Anklam modified the medieval letter forms of Schwabacher according to the fashion of the fin-de-siècle era, and his font was first released by Genzsch &...
RMU Neptun
A turn-of-the-century Art Nouveau display font, originally from the Aktiengesellschaft fuer Schriftgiesserei und Maschinenbau, Offenbach, revived and extended.
Schreibmeister
Schreibmeister is my interpretation of Arno Drescher’s design for Ludwig Wagner, Leipzig, completed in 1958. The letters X and x were improved as well as some ligatures. The letter E has an alternative, and...