font_designer: Rebecca Alaccari
From the time and place of true Divas, the late Italian nineteenth century, comes a handwriting that is soft, cultured, elegant, down to earth, and capable of surpassing the aesthetic limitations of any era....
Big Brush is the result of me seeing Brush Script everywhere around me. Toronto signage is full of Brush Script. My last two trips to the West Coast showed me mostly Brush Script. Brush...
Mascara is one of those organic extremes that usually make people’s jaw drop in big silent awe. The way such things are built is usually quite simple, given the right software and/or tools. In...
Quiller is another catch from the hot metal days, another one that managed to slip through the fingers of both the photo-typers and digitizers of last 4 decades. JJ Sierke’s Privat design from 1966...
You are looking at the friendliest, happiest and most faithful of puppies. It comes to greet you as soon as your eyes see it, radiates its joy, wags its tail, jumps in circles, and...
In 1939 the Stephenson Blake Company bought a very popular script called Undine Ronde and began marketing under the name Amanda Ronde. Although Undine/Amanda was quite popular and can be seen in many advertisements...
A little more flower and a little less power, please. Fun, friendly, fashionable, and feminine to a fault, Jojo takes display typography to a whole new level, where eyes can’t help but appreciate the...
Tomato is the digitization and quite elaborate expansion of an early 1970s Franklin Photolettering film type called Viola Flare. This typeface is an obvious child of funk, the audio-visual revolution that swept America and...
A. R. Bosco made Romany for ATF in 1934, when there was much demand for script types in advertising and publishing. It was the high times of Speedball lettering, and a casual script in...
This is the digitization and considerable expansion of the cheeky and enormously popular film type Eightball, one of the most widely used faces of the 1970s and 1980s.Round and happy like a bouncy ball,...