font_designer: Rian Hughes
A stencil variant of last year’s bestselling Device font family, Korolev. Named after Sergei Korolev, father of Soviet astronautics, and based on signs from the Red Army parade of 1932.
Based on the Batman logo, this font (and a medium weight which is unreleased) were designed especially for Rian Hughes’ “Batman: Black and White” comic book. It retains the signature reversed-stress weight distribution, seen...
A backslanted outline font with a drop shadow and a glossy variant.
A geometric sans with chiselled terminals and alternate forms.
A clean elegant subtly flared serif in three weights suitable for high-fashion and luxury brand use.
A freeform linking script that uses OpenType programming to replace beginning and ending characters with uniquely designed variants. Also includes ligatures and an extended t-bar carefully designed to not collide with ascenders. (Note: Please...
An elegant geometric linking script that uses OpenType programming to intelligently substitute “beginning” and “ending” characters with uniquely designed variants. The family also includes swash alternates that can be toggled on or off in...
Rian Hughes’ 15th collection of fonts, “112 Hours”, is entirely dedicated to numbers. Culled from a myriad of sources – clock faces, tickets, watches house numbers – it is an eclectic and wide-ranging set....
A heavy obround sans with a high x-height and unusual lower-case spurs that flow up and into the bowl. This curve is mirrored in the ascenders. The alternates provide for closer, denser setting.
Wulf Utility is a heavily degraded font that evokes information in a utilitarian manner without any pretence to elegance, fuss or refinement. Gruff and direct, it is about as basic as a font can...