Craska
A bold and arresting geometric font built from parallel stripes. Most effective in short headings or logos at larger, display sizes.
font_designer: Rian Hughes
Argent
An elegant sans with a low lower-case x-height, diamond-shaped dots and a reweighed complimentary italic with subtle calligraphic touches. With its generous spacing and leading, Argent is very readable in extended text settings, appearing...
Urbane Adscript
Urbane Adscript is a script companion to Urbane.A monoline semi-linking sans, it has the same number of weights and the same cap height and x-height as the Urbane family, meaning the two can be...
Zipline
Zipline is a geometric sans built from a folded line or ribbon. Contemporary and stylish, with a certain decorative flair. There are three variants that can can be freely mixed for effect – a...
Droog
Droog is an unusual rounded font pierced with circular holes, some of which are used in lieu of counters. Used to best effect in shorter settings and at larger sizes. Suitable for science fiction...
Impetus
Impetus is a powerful capitals-only geometric sans in a solid and inline variant. Built around a framework of a circle and square, it echoes angular Deco or Italian Futurist “moderne” forms, and is about...
Freehouse
Freehouse is a reinterpretation of the well-remembered Watney’s logo, a brewery and pub chain infamous for its poor quality beer and brutalist decor. In Design Research Unit’s corporate guidelines from 1966 the font is...
Recon
Recon, developed from the 112 Hours numbers-only font of the same name, explores modular forms suggested by quartz displays. The constrained rules of construction, using a limited number of repeated elements, lead to many...
Vektra
Vektra takes advantage of the high-resolution afforded by the Glyphs font design program. Stripes of different density overlap to create a cross-hatched tonal effect. Best used at larger sizes and in shorter settings where...
Zeno
Bold, graphic and with a strong vertical emphasis. Built from simple geometric shapes, Zeno is similar to some of Joseph Albers’ Bauhaus experiments, though with attention paid to normalising the lettershapes to improve readability.