font_designer: Rian Hughes
Paralucent Slab is an addition to the ever-popular Paralucent family. Paralucent is versatile all-purpose modern sans and slab serif design. Available in seven weights, from Thin to Heavy, with corresponding italics, it avoids some...
Bold, punchy and attention-grabbing, Maximum is an extended sans serif with obround curves that fills the space on the page due to its tight spacing and short ascenders and descenders. Recommended for posters, packaging,...
Elegant, classic yet contemporary. Salient is a updated interpretation of the Didot school of type design, typified by Giambattista Bodoni in Italy and the “modern” French styles of high-contrast fonts cut by Fermin Didot...
Tracker is a geometric twin-line font reminiscent of space-age disco designs of the 60s and 70s, but entirely reexamined, rationalised, redesigned and updated for contemporary use. Best seen in shorter, punchier settings and at...
A stylish cartoon sans reminiscent of lettering by Harvey Kurtzman on early issues of Mad, or other casual mid-century types. The three widths give full versatility for expressive, customised headlines and layouts, while the...
Cynosure Soft is a rounded, friendly version of Cynosur, a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar...
An unusual modular geometric font that lies somewhere between Aztec and Futurism. An attention grabber that is best used big.
British type designer Rian Hughes created this pi and symbols FontFont in 1993. The family has 5 weights, and is ideally suited for poster and billboards.It provides an extensive collection of wonderful dingbats and...
British type designer Rian Hughes created this pi and symbols FontFont in 1993. The family has 5 weights, and is ideally suited for poster and billboards.It provides an extensive collection of wonderful dingbats and...