font_designer: Stefan Claudius
Hermaphrodite was developed for the Bastard Project and had its origin in the idea of applying the process of an Antiqua on a Grotesque. In other words, a Grotesque font was drawn calligraphically and...
This font invites you to play with it. The Real version has longer tails, while the Roman version cuts them up to make the font more suitable for text. The Script version connects the...
Inspired by an old Russian book about Moscow’s plan to take over the world, this font was designed to give digital prints the taste of hand lettering. It’s vivid outlines and slight differences in...
Made to revive the feeling of the times of loungy plastic chairs, lazy astronauts and sympathetic aliens, comes our evergreen: lovechair.
Prologue was designed to look like a postmodern typewriter. With plain and simple upper cases and trickier lower cases. Three weights give a good variety for all kinds of designs and seem especially well...
Geheimagent is perfect for restrictions, or permissions if you prefer. Not quite a textfont, not quite a headlinefont, it’s a bit of both. The Italic versions break up the strictness of the regular fonts....
The aim was to make a font that looks like the ones on airplanes. And Cape Arcona Type Foundry needed an Airline anyway. For more options in typesetting, some upper and lower cases differ....
CA Zaracusa was designed as a CI font for a German Documentary Festival. The aim was to have a font that looks relaxed, clean, unpretentious but not boring, suitable for text and headlines. The...
This font was inspired by a postcard from the 30s. On the one side near the stamp were the words ‘BUENOS AIRES’. It looked so simple yet strange, that we started to make a...
The Italic version of CA Emeralda was inspired by a headline in an industrial advertisement magazine from the early fifties. Starting from a few letters it evolved into a catchy retrofont and was completed...