font_designer: Steve Jackaman
The original Ronsard Crystal began its life as a single-weight VGC photo display font in the 1950s. We liked it so much, that we decided to design four traditional weights to go with the...
It was our initial intention to develop a suitable lowercase for Les Usherwood’s Elston typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). The new design became...
It was our initial intention to develop a suitable lowercase for Les Usherwood’s Elston typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new design...
Based on the original design by Robert Hunter Middleton. Digitally engineered by Steve Jackaman and Ashley Muir from the Ludlow drawings, circa 1931–1942.
This revival of Harry is based on the original design by Marty Goldstein (and C.B. Smith). Goldstein, born in Chicago in 1939, was the co-founder of the groundbreaking Creative Black Book. He graduated from...
This old victorian typeface was originally called Constantia. Since that name was already in use, we decided on a the new name of Carlingtown. Digitally engineered by Steve Jackaman and Ashley Muir.
A revival based on the Harry Winters design ‘Roslyn Gothic’ released by VGC in 1972. We’ve added a new light weight and several alternate glyphs. Ryder Gothic contains all the high-end features expected in...
Glasgow Pro has been completely redrawn and remastered by Steve Jackaman and Ashley Muir. The new Glasgow Pro family has been fleshed out with a glyph set that is over 40% larger than the...
Badger Pro has been completely redrawn and remastered by Steve Jackaman and Ashley Muir. The new Badger Pro family has been fleshed out with a glyph set that is over 40% larger than the...
Shamus is a unique uncial design that contains several weights. Designed with many alternate glyphs and flourishes, Shamus embodies all the high-end features expected in a quality OpenType Pro font.