font_designer: Ted Staunton
Quill-formed roman/gothic with an olde-worlde flavor. Some background in the designer’s own words: “A series of fonts came to mind which would be rooted in the medieval era -for me, a period of intense...
Grenville is part of the Staunton Script Family of fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through seven generations. The Grenville font is...
Based on turn-of-the-century advertising type. A condensed, fat-faced display font with a touch of the medieval. The influence of art nouveau is also present in the high-waisted caps and flowing lines, putting the face...
A loosely-written, slightly irregular but very legible handwriting style. Useful for the personal touch on menus, advertisements, greeting cards, flyers etc.
Grosvenor is part of the Staunton Script Family of fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through seven generations. The Grosvenor font is...
Chatham is part of the “Staunton Script Family” of fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through 7 generations. The Chatham font is...
Canterbury is a late Medieval Gothic font with a rough edge. This blackletter face is available with four different types of Capital initial letters or combined into one Opentype Pro font with all variations...
Elizabethan is part of the fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through seven generations. The Elizabethan font is based on a style...
The rounded shapes of P22 Elven show the influence of the 10th-century Irish half-uncial. Effective for projects dealing with mystery, fantasy, or historical drama.
Rich curvilinear borders and corner pieces, based on organic forms, for use as individual ornaments or as repeat units in the creation of complex shapes and patterns.